Chinese Brush Art - American Style: 10,000 brush strokes in search of that 1 "perfect brush stroke": July 2014

Thursday, July 17, 2014

Wednesday, July 16, 2014

51st Annual Exhibition of the Sumi-e Society of America and the national Capital Area Chapter

The National Capital Area Chapter and the National Board of Directors of the Sumi-e Society of America, Inc. invite you to attend the 51st Annual Juried Exhibition at the Glenview Mansion, Rockville, Maryland. The Exhibition runs from 5-26 September 2014.

The purpose of the exhibition is to publicly show the best current East Asian brush painting and calligraphy and to further the Society’s mission.

The Exhibition will be judged by Mr. Charles Liu. Mr. Charles Liu is a leading overseas Chinese/Taiwanese artist, curator and art critic. He was born in Shanghai, China and raised in Taiwan. After graduation from National Taiwan College of Arts, he went to Escuela Superior de Bellas Artes de San Fernando in Madrid, Spain and stayed in Spain for 7 years. Later he moved to the U.S.A. and settled down. He taught at North Central University in Naperville, Illinois.

I am fortunate to be able to exhibit one of my original Chinese Brush Art paintings in this show. Please visit the exhibit.

Dinner

Took some time off and gathered my thoughts. I've been working in my yard. The weather here in Virginia has been wonderful. I keep waiting for my humming bird to come back.

Artist Statement

I have been a ‘learning artist’ since 2011. I believe what Malcolm Gladwell said about mastery of any subject – with a twist. He said it takes about 10,000 hours to master a skill. I believe it takes 10,000 strokes to truly master a Chinese brush stroke. And, with that philosophy in mind, I practice Chinese brush strokes every day, looking for that perfect stroke. I hope to produce paintings with at least one perfect brush stroke in each. The idea of perfection is elusive and I hope to be a ‘learning artist’ for the rest of my life. Stop learning – stop living.

Artist Biography

Lynn Lambert was born in Green Bay, Wisconsin. At 18, she began traveling the world. Her first stop was Misawa, Japan where she began her fascination with the Far Eastern cultures.

She was educated at Southern Illinois University, where she majored in Horticulture and minored in Art. She returned to Atsugi, Japan in the early 80s and renewed her love affair with the Asian culture studying Ikebana in Tokyo and was a florist upon returning to the United States. Her return to Asia in the late 90s found her teaching English at Sakamoto and Iriyamazu Junior High Schools in Yokosuka-shi, Japan.

In 2011, the love of the Asian culture finally manifested itself fully when Lynn took her first Sumi-e brush art class through the NOVA educational system with artist Arlita Kadar. She moved from there to art classes at the Torpedo Factory in Alexandria, Virginia.

Additionally, she studied with these fine artists: Darlene Kaplan – 2012; Charlene Fuhrman-Schulz – 2012; Hsi-mei Yates – 2013; Henry Wo Yue-Kee – 2013 and Joan Lok – 2014. She has also done self-study online with these artists: Henry Li – 2013; Ning Yeh – 2011; and Danny Chen – 2012.

She sold her first painting “Koi – Following the leader” to the President of the National Arboretum Bonzai Association at the National Arboretum’s 2011 Annual Bonzai Art Festival.

Her work "Kohaku and Sanke” (Kohaku-koi with red patches and Sanke-koi with red and black patches) was sold by Tiara Galleries and Gifts in Rockville, Maryland to support Fisher House – in honor of our Nation’s heroes who have been wounded in combat in operations in Iraq and Afghanistan.

Her work has been displayed at The Smithsonian Institution and National Museum of Natural History in celebration of the 25th Anniversary of National Asian Pacific American Arts and Crafts Day in 2011.

Her artist philosophy is based on Malcolm Gladwell’s perspective on the mastery of any subject – with a twist. Gladwell said it takes about 10,000 hours to master a skill. Lynn believes it takes 10,000 practice strokes to truly master a Chinese brush stroke. With that philosophy in mind, she practices Chinese brush strokes every day, looking for that perfect stroke. She hopes to produce paintings with at least one perfect brush stroke in each. The idea of perfection is elusive and she hopes to be a ‘learning artist’ for the rest of her life.

Stop learning – stop living.

Chinese Brush Art - American Style: 10,000 brush strokes in search of that 1 "perfect brush stroke"

Pages

Friday, July 18, 2014

Insomnia

Thursday, July 17, 2014

Chrysanthemum

Wednesday, July 16, 2014

51st Annual Exhibition of the Sumi-e Society of America and the national Capital Area Chapter

Dinner

The Artist

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