Chinese Brush Art - American Style: 10,000 brush strokes in search of that 1 "perfect brush stroke": February 2014

Tuesday, February 18, 2014

The Poppy

Worked Ning Yeh lesson today. I got the idea to try when I saw Hsi-Mei's
Painting on my way out of class on Saturday. Maybe I'll do a field of them.

Monday, February 17, 2014

I had to laugh this morning when I ran to the store and there were rose bushes for sale and there is still 8 inches of snow outside. I am hoping to catch sight if this robin and know spring is coming.

Monday, February 10, 2014

Frog

This past week in Hsi-Mei's class we worked on frogs. There are 5 students in this class. A great group of people. Every frog that was painted was so different and unique. Like each person.

Tuesday, February 4, 2014

Out of The Darkness

This past month since Joan Lok's class I went back to working on Koi. I showed it to my teacher Hsi-Mei and worked on a few changes.
I will use this painting to try and get into my first juried show. I'm nervous but it's a good experince to try. Wish me luck !

Artist Statement

I have been a ‘learning artist’ since 2011. I believe what Malcolm Gladwell said about mastery of any subject – with a twist. He said it takes about 10,000 hours to master a skill. I believe it takes 10,000 strokes to truly master a Chinese brush stroke. And, with that philosophy in mind, I practice Chinese brush strokes every day, looking for that perfect stroke. I hope to produce paintings with at least one perfect brush stroke in each. The idea of perfection is elusive and I hope to be a ‘learning artist’ for the rest of my life. Stop learning – stop living.

Artist Biography

Lynn Lambert was born in Green Bay, Wisconsin. At 18, she began traveling the world. Her first stop was Misawa, Japan where she began her fascination with the Far Eastern cultures.

She was educated at Southern Illinois University, where she majored in Horticulture and minored in Art. She returned to Atsugi, Japan in the early 80s and renewed her love affair with the Asian culture studying Ikebana in Tokyo and was a florist upon returning to the United States. Her return to Asia in the late 90s found her teaching English at Sakamoto and Iriyamazu Junior High Schools in Yokosuka-shi, Japan.

In 2011, the love of the Asian culture finally manifested itself fully when Lynn took her first Sumi-e brush art class through the NOVA educational system with artist Arlita Kadar. She moved from there to art classes at the Torpedo Factory in Alexandria, Virginia.

Additionally, she studied with these fine artists: Darlene Kaplan – 2012; Charlene Fuhrman-Schulz – 2012; Hsi-mei Yates – 2013; Henry Wo Yue-Kee – 2013 and Joan Lok – 2014. She has also done self-study online with these artists: Henry Li – 2013; Ning Yeh – 2011; and Danny Chen – 2012.

She sold her first painting “Koi – Following the leader” to the President of the National Arboretum Bonzai Association at the National Arboretum’s 2011 Annual Bonzai Art Festival.

Her work "Kohaku and Sanke” (Kohaku-koi with red patches and Sanke-koi with red and black patches) was sold by Tiara Galleries and Gifts in Rockville, Maryland to support Fisher House – in honor of our Nation’s heroes who have been wounded in combat in operations in Iraq and Afghanistan.

Her work has been displayed at The Smithsonian Institution and National Museum of Natural History in celebration of the 25th Anniversary of National Asian Pacific American Arts and Crafts Day in 2011.

Her artist philosophy is based on Malcolm Gladwell’s perspective on the mastery of any subject – with a twist. Gladwell said it takes about 10,000 hours to master a skill. Lynn believes it takes 10,000 practice strokes to truly master a Chinese brush stroke. With that philosophy in mind, she practices Chinese brush strokes every day, looking for that perfect stroke. She hopes to produce paintings with at least one perfect brush stroke in each. The idea of perfection is elusive and she hopes to be a ‘learning artist’ for the rest of her life.

Stop learning – stop living.

Chinese Brush Art - American Style: 10,000 brush strokes in search of that 1 "perfect brush stroke"

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